Stripovi | Yu

Profiles of iconic individual artists like , Andrija Maurović , or Branislav Kerac . Share public link

While foreign imports fueled the kiosks, local Yugoslav artists and writers were busy creating avant-garde masterpieces and commercially successful franchises that were exported back to the West. The Adventure and Partisan Epics

A surrealist genius who worked with Alejandro Jodorowsky (on Before The Incal ) and brought a unique, chaotic energy to sci-fi comics.

This entire world of comics had a flagship publication that served as its beating heart: the magazine itself. Launched in 1978 by Dečje Novine, it was a revolutionary publication that focused exclusively on works by Yugoslav authors. This platform was crucial for nurturing new talents and giving a home to original characters like Kobra . With a total of 85 issues published between 1978 and 1987 , it was a training ground and a showcase for some of the country's best artistic minds, making "YU strip" a name synonymous with quality and creativity in the region. yu stripovi

: A licensed version of Tarzan produced by Yugoslav artists (such as Kerac, Obradović, and Sibin Slavković), which was high-quality enough to be exported to Scandinavian countries. Early Works of Masters

(originally titled YU strip magazin ) was a seminal Yugoslav comic book publication that served as the primary launching pad for domestic artists during the 1970s and 1980s. Published by Dečje novine

The true legacy of Yu Stripovi lies in its legendary creators: Profiles of iconic individual artists like , Andrija

The tragic breakup of Yugoslavia in 1991 destroyed the industry overnight. The common market vanished. Publishing houses in Belgrade, Zagreb, Sarajevo, and Ljubljana stopped cooperating. Hyperinflation in Serbia made printing paper more expensive than gasoline. Artists were drafted into armies on opposite sides of the conflict.

A massive phenomenon during the 1960s and 70s focusing on Partisan heroes. It was the first Yugoslav comic to be adapted into a live-action film in 1973.

Many great cartoonists stopped drawing comics and started drawing political cartoons for war propaganda—a bitter end for an art form that had united South Slavs for decades. This entire world of comics had a flagship

Contemporary festivals like the and the Herceg Novi Comic Festival prove that the medium remains a vital part of the regional identity. Today, Yu stripovi are remembered not just as childhood relics, but as a sophisticated artistic movement that defied the Iron Curtain and created a unique visual language for millions.

The Golden Age also saw the establishment of prominent comic book publishers, such as YU Strip and Komikstrip, which played a crucial role in promoting YU Stripovi to a wider audience.

Radilović is the unsung hero. After moving to France, he assisted Hergé on Tintin albums. But in Yugoslavia, he is known for Léonard (which he later drew for the Franco-Belgian market). His style is the perfect bridge—clean, funny, and precise.

Kultni italijanski strip koji je u Jugoslaviji stekao neverovatnu popularnost, često i veću nego u zemlji porekla, zahvaljujući fenomenalnom prevodu. Domaći Yu Strip Autori

Surprisingly, Yugoslavia was relatively liberal regarding comic content compared to the USSR or even the US (during the Comics Code Authority). However, there were lines.