This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
Use software like Transcribe! , Amazing Slow Downer , or YouTube’s playback speed at 0.5x. Peterson’s runs can sound like a waterfall—slow them down to hear every note. You’ll often find he’s playing simpler patterns than you think, just at blinding speed.
Are you ready to tackle this musical Everest? Dive in, find your transcription, and let the timeless beauty of "The Days of Wine and Roses" become your own.
Beneath the melody, Peterson’s left-hand comping is a study in rhythmic independence. The transcription highlights his use of syncopated, sync-up rhythms—often striking chords on the "and" of beat two or beat four. This provides a rhythmic counterpoint to the right-hand melody without cluttering the frequency spectrum shared with the double bass. Anatomy of the Solo Section oscar peterson days of wine and roses transcription
[Outro] Cmaj7(#11) G7(#9) Am7 D7(#9)
Peterson starts walking. Not walking bass— walking chords . His left hand abandons simple voicings for a stride-piano ghost dance. He plays tenths—stretching a finger from a low E-flat to a G an octave and a third away—as casually as you’d click a pen. In the transcription, Leonard had to use three staves just to separate the melodic line, the inner harmonic movement, and the percussive thud of the bottom register.
Conclude with a gentle, soothing feel
[Solo Section]
Peterson opens the track with a sparse, blues-infused four-bar introduction. Instead of dense harmony, he uses single-note lines in the right hand answered by light, rhythmic stabs in the left hand. This establishes the "pocket"—the rock-solid rhythmic foundation that defines the entire track. 2. The Head: Melodic Embellishment
If you need help from the song
The person who finally answered the forum post was a sixty-eight-year-old former copyist named Leonard, who had done grunt work for Verve Records in the ‘70s. He didn’t post the PDF. Instead, he told a story.
[C] Summer's [Am] breeze [Dm7] used to [G7] bring [C] To [Am] my fingertips [Dm7] The [G7] taste