The typeface debuted in The Times on . After one year of exclusive use, it was released for public sale. Design Characteristics
Courts across the United States and the United Kingdom strictly enforce formatting rules. Many jurisdictions require briefs and motions to be filed in Times New Roman at exactly 12-point size to ensure fairness, structural clarity, and readability for judges. 3. Government and Bureaucracy
Morison worked closely with Victor Lardent, a lettering artist in The Times ' advertising department, who did the detailed drawing. The font was heavily based on the Plantin typeface, which was considered more robust, but it was refined with increased contrast between thick and thin strokes for better readability.
How you access 20-point Times New Roman depends on your software. Here is a quick reference:
Did you know Times New Roman was commissioned by the British newspaper times 20new 20roman font
Academic submissions where specific style guides require it.
: The horizontal brackets at the ends of strokes are sturdy, preventing them from fading or bleeding under heavy ink conditions. The Monotype vs. Linotype Duplicity
The Typography Icon: History and Use of Times New Roman Times New Roman is the most famous typeface in history. It bridges the gap between old printing presses and modern screens. You see it daily in books, academic papers, and official documents. Yet, few people know how it started or why it remains dominant. Origin: Born from a Complaint
What is the ? (e.g., legal, creative, corporate, academic) Will it be read primarily on screens or in print ? The typeface debuted in The Times on
: If required, insert them at the bottom of each page (not as endnotes) in a slightly smaller size, such as 10 point.
Times New Roman was first used in The Times in 1932, and it quickly became a sensation. The font was praised for its clarity and readability, and it soon became the standard for newspaper and book publishing. Its popularity spread rapidly, and it became one of the most widely used fonts in the world.
A unique quirk in printing history led to two slightly different versions of the font existing simultaneously. The Times used Linotype casting machines for its daily production, but Morison worked for Monotype.
Morison worked alongside Victor Lardent, an artist from the advertising department of The Times . Lardent drew the letterforms based on Morison’s precise directions. The goal was to create a font that was sharp, compact, and highly legible, even when printed on cheap newsprint at high speeds. Many jurisdictions require briefs and motions to be
Next time you see those %20 codes in a stylesheet, remember: you’re looking at nearly a century of design history.
In the long history of typography, few faces have achieved the quiet dignity of Times New Roman. Designed in 1931 for The Times newspaper in London, it was a response to a practical need: legibility under high-speed printing. Yet, what emerged was more than a utilitarian tool. It became the voice of academia, the uniform of the standard manuscript, the silent vessel for countless letters, reports, and theses.
To fit more words into narrow newspaper columns.