Always ensure you are purchasing from an authorized retailer to guarantee the source file is a genuine "Re:solutions" master and not a counterfeit upsampled from a lower-quality source.
Pianist Gwilym Simcock talks about the album that changed his life, 'My Song' by Keith Jarrett. Keith Jarrett – My Song | The Skeptical Audiophile
The epic closing track synthesizes the emotional and technical arc of the entire album.
An essential, 5-star ECM classic – warm, lyrical, and deeply atmospheric. One of the most approachable yet profound jazz albums of the 1970s.
By 1978, the Keith Jarrett European Quartet (often called the "Belonging Quartet") had perfected a spacious, lyrical sound that defined the "ECM sound." Recorded by engineer Jan Erik Kongshaug, My Song bypassed the aggressive, close-mic techniques common in American jazz fusion at the time. Instead, it favored natural room ambience, wide dynamic ranges, and a tonal balance that gave each instrument equal weight in the stereo field. Keith Jarrett - My Song -2015- -FLAC 24-192-
The music on "My Song" is characterized by Jarrett's lyrical and introspective playing style, which weaves a narrative that is both personal and universal. The album's title track, "My Song", is a beautiful, melancholic ballad that showcases Jarrett's mastery of melody and harmony.
: Reviewers note that the 2015 hi-res remaster is of "astounding quality," making the nearly 50-year-old recording sound modern and fresh. Soundstage
Jan Erik Kongshaug, a legendary figure known for defining the "ECM Sound". Musical Style:
The Sublime Clarity of Keith Jarrett’s "My Song" (Hi-Res FLAC 24-192) For audiophiles and jazz enthusiasts alike, the 2015 high-resolution reissue of Keith Jarrett’s 1978 masterpiece, , represents a pinnacle in digital restoration. Released in FLAC 24-bit/192kHz Always ensure you are purchasing from an authorized
For audiophiles and jazz enthusiasts alike, certain albums are not merely collections of songs; they are sonic landscapes that define an era. Keith Jarrett’s , recorded in 1977 and released in 1978, is undisputed in this category. However, the 2015 high-resolution remastering—available in FLAC 24-bit/192kHz —presents an opportunity to hear Jan Erik Kongshaug’s original engineering in a way that truly honors the intimacy and brilliance of the performance.
It turns a great album into a religious experience. It is proof that even 45 years later, we are still discovering new layers inside the grooves of the masters.
The title track is one of the most famous melodies Jarrett ever composed. It is deceptively simple, echoing folk traditions and lullabies. Through the 192kHz resolution, Jan Garbarek’s soprano saxophone ceases to sound compressed or harsh. Instead, his breath control is vividly audible, capturing the exact micro-tonal shifts that give the melody its emotional, tear-inducing edge. 3. Tabarka
An expansive, multi-part epic that closes the album. The track moves through various emotional landscapes. The low noise floor of the 24-bit studio master allows the quietest, most minimalist moments of improvisation to hang suspended in total silence before the full band re-enters. Why the 2015 Remaster Matters An essential, 5-star ECM classic – warm, lyrical,
Jarrett’s Steinway piano can sound brittle on standard 16-bit Red Book CDs. In this 24-bit master, the hammer-strikes on the strings possess a rounded, woody weight. The lower register resonances vibrate with palpable authority.
The album was recorded by the legendary Jan Erik Kongshaug, known for the "ECM Sound." The 2015 remaster ensures that his work—characterized by "Tubey Magical Midrange" and incredible clarity—is preserved and highlighted, rather than compressed or flattened. 3. Dynamic Range
Open-back headphones (such as the Sennheiser HD600 or Beyerdynamic DT 1990 Pro) will best reproduce the wide, airy soundstage of the ECM recording.
The album consists of six original compositions by Keith Jarrett: Questar (9:11):
The album opens with an enigmatic, searching quality. The 24/192 resolution immediately proves its worth here, capturing the micro-dynamics of Jarrett’s touch on the keys and the subtle decay of the piano strings inside the studio room. 2. My Song