An American Werewolf In: London Deleted Scenes __full__

: One unique TV broadcast in Detroit famously replaced Van Morrison's "Moondance" with "Happy Together" by The Turtles during the love scene, likely due to music licensing issues. 4. The Final Alleyway Interpretations

An extended version of this scene exists in script form and was partially filmed. In it, the dialogue between the locals is much longer, emphasizing the deep-rooted folklore of the village. The chess player (Brian Glover) drops more cryptic hints about the history of the moors and the "things that howl at night." Landis ultimately trimmed this sequence to amplify the sudden, jarring nature of the locals kicking the American tourists out into the rain. 2. Jack’s Gruesome Transformation Realization

The most famous missing sequence takes place in Golden Square. David stalks a well-dressed London businessman. In the deleted footage, the werewolf violently tackles the man against a brick wall. Rick Baker’s crew constructed a highly sophisticated mechanical dummy of the actor. The werewolf puppet was filmed literally tearing the man’s face apart, exposing muscle tissue and bone.

The most famous missing piece of the film is a comedic beat meant to transition the story into its chaotic climax.

🔪 eagle-eyed viewers might notice a name on a office door in the final cut. A whole subplot involving a character named Dick Littler was filmed but cut entirely. These scenes would have further established David’s life in London before the attack, grounding his tragedy in more mundane reality. an american werewolf in london deleted scenes

The original script and early cuts featured a much longer conversation between David and his victims. The dialogue included more bickering among the ghosts regarding the logistics of their undead existences, as well as more graphic descriptions of how it felt to be eaten alive. Furthermore, the fictional pornographic film playing on the theater screen—titled See You Next Wednesday , a recurring Easter egg in John Landis’s filmography—originally ran longer. The fake movie featured extended, highly parodic dialogue that mirrored David’s internal crisis, but it was trimmed to keep the focus strictly on the ghoulish conversation in the row seats. 5. The Homeless Men and the Tramp Attack

According to John Landis and various film historians, much of the cut negative footage was lost or destroyed over the decades due to standard studio storage practices of the 1980s. What survives are primarily production still photographs, promotional slides, and silent dailies.

The scene was cut after test audiences reacted so strongly that they gasped and chattered amongst themselves for minutes afterward, pulling focus from the rest of the film. Director John Landis later admitted he regretted the decision, drawing a parallel to the famous, lost "Spider Pit" sequence from the original King Kong . The scene's fate seems sealed: it is believed that the footage was among the film's trims accidentally thrown out by Twickenham Studios, and no known video or audio of it is thought to exist. Adding to the legend, some stories suggest a version of this test cut may have accidentally screened in a few UK cinemas before the proper release, fueling decades of speculation.

However, the original cut featured an extended sequence inside the pub that added more texture to the locals' bizarre behavior. In the unedited version, before the boys ask about the star, the locals engage in a series of highly specific, deadpan jokes and limericks. A specific missing bit featured the pub patrons telling a long, bleakly comedic joke about a man traveling through the moors, which served as an intentional, meta-foreshadowing device for David and Jack’s impending doom. Landis ultimately trimmed this to get the boys out into the fog faster, intensifying the sudden shift from eerie silence to violent terror. 2. Jack’s Gruesome Attack (The Uncut Version) : One unique TV broadcast in Detroit famously

The original script had a coda . After David’s death, we cut to the Slaughtered Lamb pub. The same five blokes are playing chess. One looks up at the clock. The camera pans to the window. The full moon is setting. One man says, "Well... that’s that, then." They turn back to their game.

. However, several significant scenes were cut by director John Landis, mostly to avoid an X rating or because of negative reactions from test audiences. Most Famous Deleted & Lost Footage The Tramp Attack

Rick Baker won the inaugural Academy Award for Best Makeup for his revolutionary, painful-looking werewolf transformation. The sequence is already long and grueling, but Baker actually shot even more practical effects.

The nightmare sequences where David dreams of Nazi mutant monsters attacking his family are among the most famous scenes in the movie. Early script drafts contained additional imagery of David waking up repeatedly in increasingly bizarre environments. Landis ultimately streamlined the sequence to focus on the shock value of the mutant soldiers breaking through the window. 8. Additional Interactions with Alex In it, the dialogue between the locals is

However, Oz originally filmed a second, entirely different cameo. He played a man staying in the hospital bed next to David. In this cut scene, Oz's character interacts with David during his recovery, delivering a heavy dose of dry, British humor. Landis ultimately cut the scene because he felt it slowed down the pacing of the hospital segment and distracted from David’s growing psychological torment. Extended Dialogue and Character Beats

In the theatrical cut, the patrons of the Slaughtered Lamb pub abruptly stop talking when David and Jack (Griffin Dunne) ask about the pentagram on the wall. Originally, the scene featured more dialogue. The locals dropped heavier, more explicit hints about the curse of the moors before aggressively kicking the boys out into the rain. The Attack on the Moors

John Landis famously includes the fictional movie title See You Next Wednesday in almost all of his films. In An American Werewolf in London , it serves as the title of the pornographic movie playing in the erotic cinema where David meets his undead victims.

Rick Baker spent nearly ten months and $300,000 developing the legendary transformation sequence, creating multiple "change-o" heads and limbs.